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Комбайн Kenwood KM 440

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Комбайн Kenwood KM 440

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Комбайн Kenwood KM 440

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Комбайн Kenwood KM 440

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Product Review - Kenwood THX Certified Audio Visual System - November, 1995 By Long, Singapore Kenwood THX Audio Video system; KR-X1000 Video receiver, KM-X1000 Stereo Power Amp (bridged to перейти passive subwoofer), LS-X1F LCR loudspeakers, LS-X1S Surround loudspeakers; all THX certified.

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Комбайн Kenwood KM 440

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Find out details on the specifications of the Classic Chef KM330 from Kenwood Australia
Robot patissier Kenwood KM 289 PROSPERO - Capacité brute du bol 4,3 litres - Moteur 900 W - Bol multifonction avec couteaux et 3 disques pour râper et émincer - Kit pâtisserie - Blender verre 1,5 L - Mini-cuve verre - Hachoir 2 grilles - Presse-agrumes et centrifugeuse - Livre de recettes Product Review - Kenwood THX Certified Audio Visual System - November, 1995 By Daniel Long, Singapore Kenwood THX certified Audio Video system; KR-X1000 Audio Video receiver, KM-X1000 Stereo Power Amp bridged to drive passive subwooferLS-X1F LCR loudspeakers, LS-X1S Surround loudspeakers; all THX certified.
KR-X1000 - 125 watts rms output per channel at 6 Ohms Stereo mode ; 130 watts rms output per channel LCR, 80 watts rms output per channel surrounds, all at 6 Ohms Surround mode.
LS-X1S surround loudspeaker - 3-way, 6-speaker system, Acoustic Air Suspension enclosure; 2 x woofer 5" cone, 2 x midrange 3" dome, 2 x dome tweeter; impedance 8 W nominal3.
If you're reading this, and you haven't been on the moon for the past 2 years, then you know what THX is and what it means to the consumer shopping for a home theater system.
Before I go into the review proper, I shall first categorize the different people that may put this system on their lists.
First, there are those who've read a lot about home theater systems but don't want to together a combination of components different manufacturers because they don't want the hassle of figuring out how much power, how sensitive, how big, how small etc.
If I've described you above, read on; if not, read on anyway!
I promise you'll not be disappointed.
The Kenwood THX system: I first heard the entire system at HEX 5 Singapore, September 1995and it not to mince words blew me away.
I have always had a Kenwood in my system, because they provide a 24 month warranty on all their electronics.
But this was serious.
I would've spent the money on the Kenwood THX system because it was the best-sounding THX setup at the show!
I sought eagerly to get it home for a review.
And here I must thank Anthony Margil of Margil Hi-Fi, Singapore for putting me in touch with Kenwood, Singapore and to Michael Seet and Sean See of Kenwood Singapore for graciously lending me the whole shebang for 2 weeks.
Setting it up: Nothing to it, really, just that you might want help unpacking it all.
I set the LCR Left, Center, Right speakers where my normal references are.
The left and right speakers are about 6' 2" apart center-of-baffle to center-of-baffle and the center speaker was placed atop нажмите для деталей trusty Toshiba TV, firing downwards at my listening seat just over 8' away.
The rear surrounds were placed on chopping boards mounted about 6' up at the sides and 6' also from my seat.
Next were the connections.
The speaker connections were then all made.
The speakers themselves all appeared to be fairly good quality with sturdy gold plated five-way binding posts.
At the juice end, no such luck.
To reduce costs, Kenwood has elected to use bare-wire only connectors screw-in typeso I had to cut my />I understand in overseas Комплект CPS7500PRO четыре АКБ 100 including the Привожу ссылкуthe very same models come with banana and spade lug capable connectors binding posts.
The KM-X1000 amp was run in mono bridged to drive the sub.
All the electronics were finished in attractive!
The KR-X1000: You can have Home THX Cinema, Dolby Pro Logic, Dolby 3 Stereo, DSP Logic, Mono, or straight two channel Stereo.
Levels are easily set either from the main panel or the universal remote which you can program to work with your TV, VCR's, cable, tuner, LD player but you can only do this from one of the processing modes; in Stereo, you can't.
Which means to boost the sub-level via the line output have to change to one of the surround modes and do it there.
Levels are held constant for any of the modes.
There's also a straight-line button which, according to the manual, bypasses the tone controls for better sound.
It works with all inputs but I detect any differences in sound quality, when the tone controls were set at 0 influence.
I played through several laserdisc favorites, including The Lion King, The Abyss, Jurassic Park, Terminator 2, Memphis Belle; the Kenwood was dynamic when required, and subtle as needed.
The underwater scenes before the crane hits the drop-off in The Abyss, and the jungle scenes in Jurassic Park, before Nedry "Ah ah!
You didn't say the magic word!
This is where the THX dipole surrounds proved superior to my discrete ones.
However, over the weekend, I heard an AC-3 demo which indicated that discrete surrounds may be better in AC-3.
The scene, in True Lies, was the Harriers' missile attack on the terrorists on the bridge.
There was intense action music from both rear channels small Yamaha discretes and these contributed greatly to the excitement.
I doubt dipoles would have done as well.
As an aside, I think with AC-3, calibration which in the case of the demo I mentioned, was poor of the speakers is very critical.
When the missile in the above mentioned scene was fired, it actually "disappeared" sonically as it flew from in front of the viewer towards the back.
In other words, the handover, if you will, of the signal from the fronts to the rears was anything but smooth in the AC-3 demo.
I doubt you would notice such a sonic artifact with Dolby Pro Logic decoding.
How about the main action?
It was ably served by the Четко Лестницы спасательные и веревки Воликс ЛВС-10М вечера and the sub.
Check out the Sarah Connors' nuclear explosion dream scene and the flock of "chickens" scene on Jurassic Park.
I use the former because it has everything a surround sound aficionado could want.
The flocking scene should come as a wave sound first concentrated at the front, then as the "chickens" pass Dr.
Grant and the children, you should feel as well as hear that you are caught in the stampede.
The Kenwood THX system handled everything and eagerly awaited more.
I only made observations during my second watching of every movie.
I was too busy enjoying the movie to write anything!
However, in implementing THX's mandatory 7 kHz roll-off to compensate for smaller living rooms, I feel it is a little too aggressive the Kenwood system.
Dialogue had a nasal character which I think is a result of this roll-off.
Also, one sub isn't really enough.
Turning up the sub-out level resulted in too much mid- as well as low-bass.
This muddied dialogue further and made everything bass emphasized including footsteps and slamming doors, etc.
After about a week of intense auditioning, I hooked up my HSU HRSW12V driven by it's own dedicated amp in parallel; in my 2500 ft3 approx.
I place the HSU just to the outside of the right speaker about 2' from the corner and the SW-X1 just to the inside of the left speaker.
I used Home THX Cinema mode for most movies.
I think if you buy the KR-X1000, you won't be using the Dolby Pro Logic mode very much.
I find the THX mode more spacious, and the rears are steered faster missile scene in True Lies as mentioned above.
Also, while THX darkened things sonically little, I found Dolby Pro Logic a little too steely.
Music: Listening music in the various modes to recap, these are Home THX Cinema, Dolby Pro Logic, Dolby 3 Stereo, DSP Logic, straight two channel Stereo, and MonoI think you'll have to experiment to see which you like or dislike for the different types of music you listen to.
I liked Home THX Cinema for live recordings of acoustic jazz that have a wider than normal soundstage e.
Dolby 3 Stereo is good if you have your left перейти right speakers a little too far apart or on приведенная ссылка that are a little too aggressively Stereo try a re-released-in stereo Beatles CD ; just ease down about 2 dB from flat on the center level.
On some others, straight Stereo was the best.
I didn't use Mono much.
My stuff had more space behind and to the sides and imaged better.
It also had a smoother top-end.
However, on torture tracks no.
Ultimately, the Kenwood was more fatiguing in the long run.
Conclusion: For a better-than-decent THX home theater system, I can't recommend the Kenwood system enough.
When it has to, it also does delicate.
However, on music, I'm afraid you need to look elsewhere, берете Сумка Azona LC-602 принимаю the Kenwood system doesn't cut it in that regard.
Hope U can understand the table.
For example, at 50Hz, in Stereo mode, the response was 72dB, in THX surround mode, it's also 72dB.
At 200Hz, its 72 and 73dB respectively.
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